The British television and theatre world is mourning the loss of a true veteran of the screen, as Coronation Street and Good Old Days actress Sheila Bernette has died

at the age of 94. News of her passing has prompted an outpouring of tributes from colleagues, friends, and fans who remember her not only for her memorable performances

but for her warmth, generosity, and lasting contribution to British entertainment across more than five decades.

Sheila Bernette as Sister Delaney in Coronation Street in 1973

Bernette and Peter Dulay on Candid Camera in 1974

Bernette with fellow members of The Players Theatre, including Deryk Parkin, Julia Sutton and Norman Warwick

Sheila Bernette, who appeared in Coronation Street during the early 1970s, became part of the fabric of the nation’s most beloved soap when she took on the role of Sister Delaney. Though her time on the cobbles was relatively brief, her presence left a lasting impression, adding depth and humanity to storylines during a formative period in the show’s history. For many viewers, her appearance remains a cherished memory of classic Corrie, an era defined by strong character acting and grounded storytelling.

Her death was confirmed in a statement released by the Royal Variety Charity, which paid tribute to her remarkable career and the affection she inspired throughout the industry. The charity said: “Sheila will be very much missed by many of those who worked with her and those from the wider theatrical family.” The words echoed the sentiments of countless performers who crossed paths with Bernette over the years and remembered her as both a consummate professional and a deeply kind individual.

Born Sheila Poncini in London on March 30, 1931, she came from a family of Italian descent and grew up during a time of immense social change. From an early age, she displayed a natural flair for performance, eventually carving out a career that would see her move seamlessly between theatre, television, film, and live variety entertainment. Her adaptability and instinctive comic timing made her a familiar and welcome face across British screens from the 1960s onward.

One of her most enduring achievements was her long association with the BBC’s Good Old Days, the hugely popular variety programme that celebrated traditional music hall entertainment. Appearing on the show between 1968 and 1983, Bernette became part of a beloved institution that introduced new generations to classic British comedy and performance styles. Her work on the series showcased her versatility, allowing her to move effortlessly between comedy sketches, character work, and light entertainment.

Throughout her career, Sheila Bernette worked alongside some of the biggest names in British comedy and television. She shared stages and screens with Sir David Jason—years before he became a household name as Del Boy in Only Fools and Horses—as well as legendary double act Morecambe and Wise. Her professional circle also included comedians and entertainers such as Dick Emery, Leslie Crowther, and Tommy Cooper, placing her firmly at the heart of Britain’s golden age of television comedy.

Beyond acting, Bernette was also a trailblazer. She played a role in pioneering television practical joking in the UK through her involvement in Candid Camera, helping shape a genre that would later become a staple of light entertainment. Her contribution to the medium was further recognised when she appeared at the prestigious Royal Variety Performance in 1970, a milestone that underscored her standing within the industry.

As television evolved, so too did Bernette’s career. She continued working well into later life, proving her enduring appeal to audiences of all ages. From 2008 to 2011, she appeared in the CBBC children’s sitcom Hotel Trubble, playing the formidable yet endearing Mrs Poshington. Her performance introduced her to a new generation of viewers and demonstrated her remarkable ability to adapt to changing television landscapes without losing the essence of what made her so watchable.

Her film career, while less extensive than her television work, was equally varied. Bernette appeared in Three For All (1975), Car Trouble (1986), and Driving Aphrodite (2009). The latter would become her final film role, bringing her on-screen career to a graceful close after decades of consistent work. Each role, no matter how large or small, was approached with the same dedication and professionalism that defined her life in the arts.

Tributes have continued to emerge following the announcement of her death, including a particularly touching remembrance from actor and close friend Peter Kosta. Reflecting on their long friendship, Kosta recalled meeting Bernette while performing in a stage production alongside a young David Jason. He shared a warm anecdote that perfectly captured her generosity and kindness.

“I was looking for digs, and Sheila said: ‘Well, if you’re clean, I have a spare room in my house,’” he said, remembering the moment with affection. It was a simple offer, but one that spoke volumes about her character.

Kosta went on to describe Bernette as a steadfast supporter throughout his career. “She always supported me in everything that I wanted to do, and always came to see me in everything I did, whenever she could,” he said. “I have extremely fond memories of her.” His words painted a picture of a woman who gave just as much off-screen as she did in front of the camera.

For fans of Coronation Street, Sheila Bernette’s passing is a poignant reminder of the soap’s rich history and the countless performers who helped build its legacy. For those who grew up watching Good Old Days, she represents a golden era of entertainment—one rooted in live performance, sharp wit, and timeless charm.

As tributes continue to pour in, one thing is clear: Sheila Bernette’s legacy extends far beyond her roles. She leaves behind a body of work that spans generations and a reputation as a beloved figure within the theatrical community. At 94, her life was long, full, and deeply intertwined with the story of British television itself.

She may be gone, but her performances, her kindness, and her contribution to the industry will not be forgotten.